Goodwin’s theories on codes and conventions are:
- Music videos demonstrate genre characteristic. In Scissor Sister's 'Filthy Gorgeous', glam rock codes and conventions such as makeup on men, extravagant outfits and homoerotic behaviour are seen throughout.
- There is a relationship between lyrics and visuals (illustrative, amplifying, or contradicting). Glam rock videos don't always have a strong relationship with the lyrics of the song, as the main aim of the videos are to be outrageous and different. However, some do use the lyrics as a foundation for the video, such as 'I Write Sins, Not Tragedies', by Panic! At The Disco, in which a wedding is the main focus of the video, as it is in the song.
- There is a relationship between music and visuals (illustrative, amplifying, or contradicting).
- The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work.
- There is frequently reference to notion of looking (screens within screens, telescopes, etc) and particularly voyeuristic treatment of the female body. While woman are not as objectified in glam rock videos as they are in other genres, in the video for 'Laura' by Scissor Sisters, the female wears outfits that empathise her curves and show off cleavage. There is also a scene that backs up the theory of there being a notion to looking, as the male character looks in through a window.
- There is often intertextual reference (to films, tv programmes, other music videos etc). A famous example of this is Queen's 'I Want To Break Free', in which there is an intertextual reference to the British soap opera Coronation Street.
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